{"product_id":"gs-music-bree6-desktop-black","title":"GS Music e7 Desktop - Blue","description":"\u003cdiv id=\"block-54574ca114da58ef4c93\" data-website-component-id=\"54574ca114da58ef4c93\" data-sqsp-block=\"text\" data-definition-name=\"website.components.html\" data-block-type=\"1337\" data-block-scripts='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.html\/74b4196a-577c-452a-8fb2-44fd7520c97a_640\/website.components.html.visitor.js\"]' data-block-css='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.html\/74b4196a-577c-452a-8fb2-44fd7520c97a_640\/website.components.html.styles.css\"]' class=\"sqs-block website-component-block sqs-block-website-component sqs-block-html html-block\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-text-block-container\"\u003e\n\u003cdiv data-sqsp-text-block-content=\"\" class=\"sqs-html-content\"\u003e\n\u003cdiv id=\"block-54574ca114da58ef4c93\" data-website-component-id=\"54574ca114da58ef4c93\" data-sqsp-block=\"text\" data-definition-name=\"website.components.html\" data-block-type=\"1337\" data-block-scripts='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.html\/74b4196a-577c-452a-8fb2-44fd7520c97a_640\/website.components.html.visitor.js\"]' data-block-css='[\"https:\/\/definitions.sqspcdn.com\/website-component-definition\/static-assets\/website.components.html\/74b4196a-577c-452a-8fb2-44fd7520c97a_640\/website.components.html.styles.css\"]' class=\"sqs-block website-component-block sqs-block-website-component sqs-block-html html-block\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-text-block-container\"\u003e\n\u003cdiv data-sqsp-text-block-content=\"\" class=\"sqs-html-content\"\u003e\n\u003cp class=\"preSlide slideIn\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe GS e7 is a subtractive synthesis polyphonic analog synthesizer. The sound generation is carried out in a total analog way. Each voice has two voltage controlled oscillators (VCO), a noise source, a mixer, a voltage controlled filter (VCF) and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two envelopes (EG) of the ADSR type. In addition, it incorporates an effects processor with chorus and delay.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe GS e7 interface was designed to be simple and intuitive.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt also has MIDI connections, USB, balanced stereo audio outputs, headphone output and CV inputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eSignal path\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThe signal path is completely analog, featuring two VCO per voice, a white noise source, a mixer, a 4-pole low pass VCF and a VCA. The control voltages are digitally generated, including 3 LFO, 2 ADSR-type envelope generators. Finally, it has a stereo digital effects processor with Delay and Chorus. LFO 1, LFO2 and the delay can be synced with the MIDI clock using a user selectable subdivision.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eOscillators\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eIt features two VCO plus sub oscillator per voice. Each oscillator has 3 different waveforms: triangle, sawtooth and saw-tri (triangle+sawtooth). There is a fine-tuning adjustment and a transpose option, allowing tune adjustment up to +\/- 2 octaves. Tuning can also be modulated with any of the three LFOs and EG1.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eFurthermore, each oscillator has a pulse wave that can be turned on or off, which is mixed with the other waveforms. Its pulse width can be modulated with LFO1 and\/or EG1.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eOscillators can be hard synced, with oscillator 1 being the master and oscillator 2 the slave.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThe autotuning algorithm takes about 2 seconds to complete. All the voices are tuned in parallel, making a lot faster than usual.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eMixer\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThe mixer can control the levels and mix the two oscillators, the suboscillators and the white noise or the external input (when the external input is connected, the white noise is disabled).\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eFilter\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThe filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated with EG1, this modulation an also be affected by velocity. It can also be modulated with any of the 3 LFOs. On the other hand, it features keyboard tracking and it can be controlled by the modulation wheel or aftertouch.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eChorus\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThere are two types of chorus available: basic and ensemble. The Basic algorithm is subtle and allows you to add some spatiality tothe resulting sound, while the Ensemble algorithm adds a different dimension to the sound, simulating a string or vocal ensemble. The Basic algorithm uses two delay lines, while the Ensemble uses 4 delay lines. Each delay line has its own internal LFO. There are controls for rate, depth and mix.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eDelay\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThe delay can be a stereo delay or a ping pong delay, with its maximum delay time being as long as 1.35s. It is possible to sync the delay to the MIDI clock too. If the delay is synced, the delay time knob controls the time division instead of the delay time. There are controls for the feedback and mix too.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eLFOs\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThere are three LFOs available. LFO 1 and 2 have 5 waveshapes: triangle, ramp up, ramp down, square and random with sample and hold. LFO 3 has the first 4 waveforms and is activated with the modulation wheel and\/or aftertouch.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eLFO frequencies go from 0.1Hz to 100Hz. Additionally, LFO 1 and 2 have different modes:\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eMonophonic: The LFO is in phase for all of the voices.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003ePolyphonic: The LFO is generated to a slightly different frequency for all of the keys pressed. This allows an interaction of the phases, generating more complex modulations.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eKeyboard Tracking (KB Tracking): The LFO frequency varies according to the note played following the chromatic scale.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eKeyboard Sync (KB Sync): The LFO is restarted when a key is pressed. Each voice has its independent LFO.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eClock Sync: The frequency of the LFO is synced to the MIDI clock signal. The e7 automatically detects the BPM of the clock signal. It can be configured to generate different rhythmic figures.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eKeyboard + Clock Sync: The LFO frequency will be a sub-division of the MIDI clock signal. Also, the LFO will be restarted each time a key is pressed.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eEnvelope generators\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThere are two ADSR-type envelope generators. There are controls for attack, decay, sustain and release. Attack and release can be modified by velocity and the envelope times have keyboard tracking.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eStereo\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eBy default, the voices have a stereo panning from left to right. By adjusting the stereo spread, it is possible to set all voices to the center or set them from right to left. There is also a stereo motion option that allows this stereo spread to be adjusted by an LFO.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003ePresets\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThe synth can store up to 640 presets, 128 of them being multitimbral presets.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eMultitimbral\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eThe synth can have up to 4 multitimbral parts. Each part has its complete sound configuration, assignable MIDI channel, keyboard zone, velocity zone, transpose setting and MIDI filter. Additionally, each part can have different voice assignments and\/or share some voices.\u003c\/p\u003e\n\u003cp class=\"preSlide slideIn\"\u003eMIDI Polyphonic expression\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eMIDI Polyphonic expression is supported by the GS-e7. It was tested using GeoShred, allowing independent pitch control and cutoff for each voice.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"GS Music","offers":[{"title":"Default Title","offer_id":42845662904414,"sku":"62904414","price":2679.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0251\/1568\/9012\/files\/e7Blue1.jpg?v=1780772321","url":"https:\/\/nightlife-electronics.com\/products\/gs-music-bree6-desktop-black","provider":"Nightlife Electronics","version":"1.0","type":"link"}